
LATE CHAPTER, UNDER DEVELOPMENT
The kiva was cool and shadowed, low ceiling supported by carved beams, earth walls absorbing the murmurs of council. A faint fire flickered in the central pit, illuminating the sand painting sprawled across the floor: red ochre rivers, white mesas, black dots marking observation points.
The leaders sat cross-legged, moccasins silent on packed earth, eyes sharp, hands hovering above symbols that would vanish as soon as they were traced.
“The Outlander approaches,” murmured one elder, voice soft as wind through juniper. “He is neither friend, nor foe. His intentions must be read.”
A younger observer traced a line in the colored sand, from the painted river to the edge of a mesa.
“He handles animals,” she said. “The ghosts they call... Horses. That is his weakness. And his signal.”
The elders nodded. The ephemeral map traced probability itself: likely paths, likely reactions. A circle of white sand indicated potential allies; a triangle of red marked danger. Words were measured, gestures deliberate.
When deliberation concluded, the sand painting was erased, swept away by hand and moccasin, one ritual motion. Nothing remained but the knowledge in their heads.
Below the mountain, along the river, Estebanico, Bilal once more, moved quietly among the horses, adjusting bridles, testing the flank, halo of owl feathers shifting with each careful motion. His hands lingered on leather, smoothing, testing, aware of every sound in the twilight. Wings beating above, brush whispering along the river, the faint glint of obsidian caught in the last light.
A sudden snort and a stamp of hooves raising dust along the far bank pulled him like a thread through a labyrinth. They had seen him, anticipated his movements and nudged him toward action. He didn’t hesitate. Knowledge was survival. Patterns were currency.
Frere Francois Moreau had been watching from the edge of the clearing, musket leveled, sword in hand. Moccasin feet appeared along the riverbank, hands moving toward weapons.
Each pause was a question, each movement a story. Francois’ certainty was singular. Protect The Cross, the fire circle, the livestock. Protect the weak. Act decisively.
Bilal, known by holders as Estebán, tilted his head, assessing the perimeter, beads shifting at his wrist, pouches rustling.
“They don’t know what I will do,” he murmured to Francois, voice soft, from near the river. “They only know I am The Hostler. That’s enough. It will draw them from the camp.”
They moved slow, careful in the dark. Soft shuffling of leather covered feet, whispering on the trail.
Suddenly Bilal the Outlander moved into view, indistinct, halo of owl feathers catching the fading light.
The warriors pounced. Francois lunged forward, musket flashing, sword arcing. The riverbank was a sculpture of tension, poised against the purple-gold sky. Men and dim shadows, feathers and firelight, sword and club, the smell of dust and water thick in the air.
Water splashed abruptly. The sounds of thrashing in the river, arms flailing, thuds against suede, bone, wooden staff, woven yucca.
Then as suddenly as it started, the figures faded. Ghostly in the graying half-light, they slipped back into juniper and piñon, leaving nothing, save whispers of movement, faint rustle in the grass.
Francois lowered his sword, scanning the riverbank, eyes and ears tracking every subtle disturbance.
Estebanico was gone. The halo of owl feathers, some beads, a few pouches. A circlet of Apache Tears, caught on a low branch.
A single owl feather drifted, spinning in an eddy. A shallow ripple curling outward along the river’s surface. Francois bent with his small torch, catching sight of the warriors, but no sign of Bilal. Water, wind, shadows lingering were the only ephemeral markers.
Back in the kiva, the Elder Council finished its deliberation, sand painting destroyed, swept and spread, yet knowledge preserved. They would watch, wait, and prepare.
The Outlander had been observed for weeks, proceeding at the head of the armored Spanish, the Paladin at his side. His movements were correctly anticipated, patterns properly discovered, yet his final vanishing was beyond comprehension.
Downriver, currents carried the floating feather and bead, glinting faintly in the torchlight. Francois followed these subtle signs for a half hour, then let the river take them, silent acknowledgment of what had passed. What could never be claimed, and must be kept from the journal.
De Niza and Coronado would never comprehend this. The juniper whispered over the bank, as if the landscape itself would always remember this encounter.
Bilal became a legend, before he was gone. Not known to be dead, yet not seen alive.
Shadow between worlds, Nata-aska walked the mystic land. The river always kept its secrets, the juniper whispered, the beads shone their glimmer.
And the Outlander had vanished, exactly as the Zuni expected, leaving only the trace of what had been. A ghost of action, symbols floating downstream, and the enduring question: where and how had he gone?
Now, Bilal the Slave was free, whether dead or alive. Francois wrote him dead in the report to Coronado. But his own belief remained, never given.